Part 2 Prado Museum – Goya y Lucientes, Francisco de -- El cardenal don Luis María de Borbón y Vallabriga
Después de 1800, 214 cm x 136 cm, Lienzo, Óleo. Francisco de Goya y Lucientes
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The individual’s clothing immediately establishes his high status. He wears a voluminous crimson cloak, indicative of his cardinalate, layered over an elaborate vestment featuring intricate silver embroidery. A white clerical collar frames his neck, and a decorative chain with a pendant rests upon his chest, likely signifying further honors or affiliations. The meticulous rendering of the fabric’s texture – the sheen of the silver, the folds of the crimson cloth – demonstrates considerable technical skill on the part of the artist.
In his left hand, he holds a book, bound in brown leather. This detail suggests erudition and piety, reinforcing the subjects role as a religious leader. The way he holds the book – not open for reading, but presented as an object – implies it is more symbolic than functional.
The man’s face is characterized by a certain severity. His expression is restrained, almost impassive, conveying dignity and authority rather than warmth or approachability. Subtle details like the slight furrow of his brow and the firm set of his mouth contribute to this impression. The lighting focuses primarily on his face and upper torso, highlighting these features while leaving the lower portion of his body in relative shadow.
Beyond a straightforward depiction of an individual, the painting conveys themes of power, religious authority, and social standing. The artist’s choice to minimize background detail and emphasize the subjects opulent attire suggests a deliberate intention to portray him as a figure of immense importance within the hierarchical structure of the Church and court. There is a sense of formality and distance, hinting at the complexities of his position and perhaps even a subtle commentary on the burdens associated with such high office. The overall effect is one of controlled grandeur and solemnity.