Part 2 Prado Museum – Esquivel y Suárez de Urbina, Antonio María -- Fernanda Pascual de Miranda
1832, 77,5 cm x 56 cm, Lienzo, Óleo.
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Here we see an elaborate hairstyle dominating the composition. Dark curls are arranged in voluminous loops that rise dramatically from the head, framing the face and contributing to a somewhat imposing presence. This style, characteristic of its era, suggests wealth and social standing. The woman’s attire is equally significant; she wears a dark purple dress with puffed sleeves, indicative of fashionable silhouettes of the time. A delicate white lace collar adorns her neck, adding textural contrast and refinement. A decorative chain hangs across her chest, possibly an ornamental piece or part of a larger necklace, further emphasizing her status.
The artist’s attention to detail is evident in the rendering of the womans features. Her complexion appears smooth, with subtle shading that suggests volume and form. The eyes are rendered with particular care, conveying a sense of intelligence and perhaps a hint of melancholy. Her expression is reserved, not overtly joyful or sorrowful, but rather contemplative.
Subtly, the dark background serves to isolate the figure, drawing attention solely to her presence and emphasizing her individuality. This isolation also contributes to an air of mystery, inviting speculation about her character and circumstances. The overall effect is one of dignified composure and quiet authority, suggesting a woman of considerable social importance and inner strength. The painting conveys not only a likeness but also a carefully constructed image designed to project status and personality.