Part 2 Prado Museum – Haes, Carlos de -- Un bosque de palmeras (Elche)
1861, 17,7 cm x 41 cm, Papel, Papel. Carlos de Haes
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The palm trees themselves are arranged in clusters, their slender trunks rising vertically to culminate in dense crowns of fronds. They appear as focal points within the composition, drawing the eye upward toward the sky. The artist has employed a loose brushstroke technique, particularly evident in the rendering of the foliage and the clouds. This contributes to an overall impression of atmospheric perspective and a sense of immediacy.
The sky occupies a significant portion of the canvas. It is painted with a delicate interplay of blues and whites, suggesting scattered cloud cover and diffused sunlight. The horizon line is relatively low, emphasizing the expansive nature of the sky and contributing to a feeling of openness and tranquility.
Subtly, theres an element of melancholy present in the scene. The muted color palette and the somewhat desolate landscape evoke a sense of solitude and perhaps even a quiet resignation. While the palm trees suggest life and vitality, their placement within this otherwise barren environment hints at a precarious existence or a fragile ecosystem. The low-lying structure suggests human presence but does not offer any indication of activity or prosperity; it appears integrated into the landscape as much as it is part of it.
The painting’s composition directs attention to the interplay between the natural elements – the earth, the vegetation, and the sky – and subtly implies a narrative about adaptation and survival within a challenging environment.