Part 2 Prado Museum – Goya y Lucientes, Francisco de -- La nevada, o El Invierno
1786, 275 cm x 293 cm, Lienzo, Óleo. Francisco de Goya y Lucientes
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
Here we see several individuals bundled in heavy cloaks and shawls, seemingly attempting to navigate the harsh conditions. Their postures convey exhaustion and vulnerability; they lean into the wind, their faces largely hidden, suggesting a shared burden or suffering. To the left, a man with a rifle stands slightly apart from the group, his gaze directed towards an unseen point in the distance – perhaps a hunter, or simply someone observing the scene unfold. A young boy, similarly cloaked, accompanies him.
A pair of donkeys, heavily laden with what appears to be firewood, are positioned on the right side of the composition. They too seem weighed down by the conditions, their heads bowed under the load. A small dog, its coat patterned in white and black, stands near them, adding a touch of life amidst the otherwise somber atmosphere.
The landscape itself is rendered with a stark simplicity. Bare trees, stripped of their leaves, claw at the sky, emphasizing the barrenness of the environment. The distant hills are barely discernible through the falling snow, creating a sense of vastness and isolation.
Beyond the immediate depiction of winter’s harshness, the painting hints at deeper subtexts. The figures anonymity suggests they represent a broader segment of society struggling against adversity. Their collective struggle implies themes of resilience and endurance in the face of hardship. The presence of the hunter could be interpreted as a symbol of hope or survival, while the burdened donkeys might allude to the weight of responsibility or labor.
The overall effect is one of profound melancholy, evoking not only the physical discomfort of winter but also a sense of emotional and spiritual coldness. The artist’s deliberate use of muted colors and obscured faces contributes to this atmosphere, inviting contemplation on themes of human vulnerability and the enduring power of nature.