Beruete y Moret, Aureliano de – Otoño en Madrid Part 2 Prado Museum

The canvas presents a landscape dominated by autumnal hues and a palpable sense of tranquility. Here we observe a river winding its way through a densely wooded area, the water reflecting the sky above in shimmering patches of green and grey. The brushwork is loose and expressive, contributing to an overall impression of immediacy and atmospheric effect.
A prominent tree stands on the left foreground, its trunk rendered with thick impasto that emphasizes texture and form. Its foliage displays a range of yellows and oranges, characteristic of the season depicted. Behind it, the landscape rises into a hillside covered in trees exhibiting similar autumnal coloration; this creates a visual rhythm and depth within the composition.
A cluster of buildings is nestled amongst the trees on the right side of the painting. These structures appear to be residential, constructed from light-colored stone that contrasts with the surrounding foliage. A bridge spans the river, connecting the buildings to the foreground area. The bridge’s construction seems somewhat haphazard, suggesting a functional rather than aesthetic purpose.
The sky is overcast, lending a muted quality to the scene and softening the overall lighting. This diffused light contributes to the paintings melancholic mood. There are no human figures present; the landscape appears deserted, fostering a sense of solitude and contemplation.
Subtly, the work seems to explore themes of transience and the cyclical nature of time. The autumnal setting inherently evokes feelings of decay and decline, yet there is also a beauty in this process – a richness of color and texture that celebrates the seasons unique character. The absence of human presence suggests an interest in observing nature’s rhythms independent of human intervention. The bridge, while functional, appears somewhat out of place within the natural setting, hinting at a subtle tension between the built environment and the wilderness. Overall, the painting conveys a quiet reverence for the beauty of the natural world and its inherent capacity to inspire introspection.