Perm iconostasis. Marian feast days. Presentation of the Virgin in the Temple. Saint Anne and the girl Maria Roerich N.K. (Part 1)

The composition presents two figures set against a radiant gold background, typical of Byzantine and Russian iconographic traditions. A mature woman, presumably Saint Anne, stands on the left, her posture conveying both dignity and gentle offering. She extends her hand towards a younger girl, likely representing Mary, who is positioned slightly to her right. Both women are encircled by halos, signifying their sanctity.
The artist has employed a limited palette of earth tones – ochre, brown, and muted reds – to depict the garments of the figures. The folds of Saint Anne’s robe fall in simple, linear patterns, emphasizing the verticality of her form. Marys attire is similarly rendered with minimal detail, drawing attention to her face and gesture.
A portion of an architectural structure appears on the right side of the composition, suggesting a temple or sacred space. The rough texture of this element contrasts with the smooth surfaces of the figures, creating a sense of depth within the flattened pictorial plane characteristic of icon painting. A strip of green vegetation is visible at the base of the scene, providing a subtle grounding for the narrative.
The gesture of Saint Anne’s outstretched hand is central to understanding the subtext of this work. It implies a transfer – a bestowal or presentation – of the young girl into her care or destiny. The composition likely depicts a pivotal moment in a hagiographical narrative, possibly alluding to Marys dedication to religious service from an early age.
The gold background is not merely decorative; it symbolizes the divine light and transcendence that envelops these holy figures. Its reflective quality creates a sense of otherworldliness, distancing the scene from earthly concerns and emphasizing its spiritual significance. The overall effect is one of solemnity and reverence, characteristic of devotional art intended to inspire contemplation and piety.