Roerich N.K. – Perm iconostasis. Royal Doors with the shadow of the gate. Last Supper
1907. Oil on wood. 21 x 57 cm (in the clear).
Location: Perm State Art Gallery. Russian
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The figures flanking the central person are depicted with distinct facial features – beards and hair are rendered in a stylized manner, contributing to an overall sense of solemnity and formality. Their gestures – raised hands – suggest reverence or participation in the event unfolding at the table. The positioning of these individuals creates a visual frame around the central figure, drawing attention to him as the focal point of the scene.
The table itself is sparsely adorned; a fish rests prominently on its surface, an emblem laden with symbolic meaning within Christian iconography, often representing Christ. A chalice sits before the central figure, further reinforcing the association with sacred rituals and communion.
Above the figures, a decorative band runs horizontally across the composition. This element, rendered in gold leaf, creates a visual barrier between the depicted scene and an unseen space beyond, emphasizing its sanctity and separation from the everyday world. The gold also contributes to a sense of opulence and divine splendor.
The color palette is restrained, dominated by earthy tones – browns, reds, and ochres – which contribute to the painting’s overall gravity and seriousness. The limited use of brighter colors serves to highlight key elements, such as the halo and the golden decorative band.
Subtly, a sense of narrative tension exists within the scene. While the gestures suggest reverence, there is also an element of anticipation or solemnity that permeates the composition. This could be interpreted as reflecting a moment of profound spiritual significance, perhaps foreshadowing a pivotal event in the narrative being depicted. The overall effect is one of quiet contemplation and deep religious devotion.