Roerich N.K. – Polovetsky mill
1908. Paper on cardboard, pastel, charcoal, gouache. 52 x 70.5 cm.
Location: The State Tretyakov Gallery, Moscow (Государственная Третьяковская галерея).
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Behind this prominent structure, a more conventional landscape unfolds. Gentle hills rise towards the horizon, punctuated by what appear to be dwellings or small buildings clustered near a winding river. A sense of distance is created through atmospheric perspective; the colors become muted and less distinct with increasing depth. The sky occupies a significant portion of the canvas, exhibiting a textured surface that blends yellows, greens, and browns – a palette suggesting either an overcast day or perhaps a hazy atmosphere.
The artists brushwork appears deliberate and somewhat rough, contributing to the overall impression of age and solidity. There is a lack of precise detail; forms are suggested rather than meticulously defined, which lends a dreamlike quality to the scene. The absence of human figures contributes to an air of solitude and timelessness.
Subtly, the painting seems to explore themes of memory and history. The monumental structure in the foreground could be interpreted as a symbol of a lost civilization or a bygone era, its geometric design hinting at a structured society now vanished. The landscape behind it – the river, the dwellings – suggests continuity and resilience, but also a sense of melancholy, as if these elements exist in the shadow of something grander that has faded into obscurity. The color palette reinforces this feeling; the warm tones evoke nostalgia while the muted sky suggests a veil over the past. Ultimately, the work conveys a quiet contemplation on the passage of time and the enduring power of place.