Resurrection. Descent into Hell (mural sketch for church) Roerich N.K. (Part 1)

The drawing presents a dramatic scene unfolding within a stylized architectural framework, likely intended for a mural. The composition is dominated by a central figure descending into a chaotic landscape. This individual, distinguished by a halo and flowing robes, appears to be actively breaking through the barrier of what seems to be a tomb or grave site at the bottom of the image.
The lower portion of the scene depicts a densely populated area filled with figures in various states of distress. These individuals are rendered in simplified forms, their postures suggesting suffering and confinement. Interspersed among them are stylized flames, painted in an orange hue that provides stark contrast against the muted tones of the surrounding landscape. The presence of these flames suggests a realm of torment or punishment.
Above this chaotic scene, a group of figures stands on what appears to be a raised platform or terrace. They observe the descent with expressions difficult to discern precisely, but their posture implies reverence and witness. Their arrangement creates a visual hierarchy, placing them in a position of authority and spiritual elevation relative to those below.
The artist employed a limited palette, relying primarily on earth tones – browns, grays, and creams – punctuated by the vibrant orange of the flames. The lines are bold and expressive, contributing to the overall sense of dynamism and emotional intensity. There is an intentional flatness to the rendering; perspective is minimal, which reinforces the symbolic nature of the scene rather than a realistic depiction.
Subtly, the drawing conveys themes of redemption and liberation. The central figures descent signifies an act of intervention, a breaking down of boundaries between life and death, heaven and hell. The figures in the lower realm appear to be awaiting salvation or release through this divine action. The composition’s arrangement suggests a narrative arc – from confinement and suffering to potential deliverance – intended to inspire faith and contemplation within the viewer.