Nicolas Poussin – Midas at the source of the river
1626-27. 51x67
Location: Museum Fesch (Musée Fesch), Ajaccio.
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On the left, a man kneels at the waters edge, his posture conveying profound distress. He appears unclothed from the waist down, emphasizing his vulnerability and exposure. His face is turned downwards, suggesting shame or despair as he gazes at the water. The gesture of reaching towards the stream indicates an attempt to undo a disastrous action.
To his right sits a man, richly dressed in flowing robes and crowned with what appears to be a royal diadem. He occupies a position of authority, yet his expression is one of weary resignation rather than triumph. His hand is extended toward the kneeling figure, but not in a gesture of comfort or assistance; instead, it seems to acknowledge the irreversible nature of the situation. The water flows around his foot, hinting at the destructive power that has been unleashed.
The surrounding landscape reinforces the narrative’s weight. The dark foliage creates a sense of enclosure and isolation, while the presence of water – a symbol often associated with purification or renewal – ironically underscores the impossibility of redemption in this instance. The vegetation is rendered with a loose brushstroke, contributing to the overall feeling of melancholy and decay.
Subtly, the painting explores themes of hubris and the perils of unchecked desire. The crowned figure’s initial wish – implied by the scenes context – has resulted in unintended consequences, transforming everything he touches into gold. His attempt at absolution through immersion in water is futile, highlighting the limitations of earthly power and the inescapable nature of divine retribution. The kneeling man likely represents someone who suffered from this curse, further emphasizing the tragic impact of the protagonist’s actions. Ultimately, the work serves as a cautionary tale about the dangers of greed and the importance of appreciating what one already possesses.