Nicolas Poussin – The Triumph of Pan
1636
Location: National Gallery, London.
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Никола – это русское деревенское имя, и к Пуссену оно не имеет никакого отношения, т. к. его имя Николя с ударением на последний слог.
Никола - устоявшаяся в русском языке форма имени Пуссена, исключение из правил.
https://ru.wikipedia.org/wiki/Пуссен,_Никола
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The central figure, distinguished by his prominent horns and goat-like features, appears to be orchestrating the commotion. He is positioned slightly forward in the composition, drawing immediate attention. Around him, a throng of figures display expressions ranging from joyous abandon to startled surprise. The artist has rendered their bodies with considerable anatomical detail, emphasizing muscularity and physicality.
The background consists of a thick forest, receding into a hazy distance where hints of sky are visible. This backdrop serves to both contain the scene and suggest an expansive, untamed environment. Light plays across the figures and foliage, creating highlights and shadows that contribute to the overall sense of depth and movement. The color palette is dominated by earthy tones – browns, greens, and ochres – punctuated by splashes of blue and red in the clothing and skin tones of certain individuals.
Subtly woven into this depiction of unrestrained joy are undertones of disorder and potential danger. The chaotic nature of the scene suggests a loss of control, hinting at primal instincts unleashed. The presence of seemingly vulnerable figures lying on the ground introduces an element of precariousness to the celebration. One might interpret the work as a representation of Dionysian ecstasy – a ritualistic release from societal constraints through music, dance, and intoxication. Alternatively, it could be viewed as a commentary on the fleeting nature of pleasure and the potential for revelry to descend into chaos. The ambiguity inherent in the scene allows for multiple interpretations, inviting viewers to contemplate the complex relationship between joy, disorder, and human nature.