Portrait of Christina Maria von Hermanson Carl Frederik von Breda (1759-1818)

The composition presents a woman in three-quarter profile against a dark, indistinct background. Her gaze is directed towards the viewer, conveying a sense of quiet confidence and perhaps a touch of melancholy. The lighting focuses primarily on her face and upper torso, leaving the rest of the figure shrouded in shadow. She wears a simple, low-cut gown with delicate fabric visible at the neckline, suggesting an understated elegance.
A sculpted bust is held close to her body, partially obscuring the background. This bust depicts a male figure, identified by an inscription as George Jones. The positioning of the bust – held protectively and intimately – implies a significant relationship between the woman and the individual portrayed. It’s not merely a decorative element; its integral to understanding the narrative within the painting.
The dark background, punctuated only by vague suggestions of foliage, contributes to an atmosphere of introspection and privacy. The limited color palette reinforces this mood, with the emphasis on muted tones that highlight the woman’s complexion and the subtle sheen of her gown.
Subtleties in the gesture are noteworthy. Her hand rests gently on the bust, a gesture that could be interpreted as affection, remembrance, or perhaps even mourning. The slight downward tilt of her head adds to the overall impression of quiet contemplation. The presence of the sculpted bust introduces layers of meaning beyond a simple portrait; it suggests themes of memory, loss, and the complexities of personal relationships. It is likely intended to convey something about the sitters identity – perhaps through association with the person depicted in the sculpture – rather than simply documenting her physical appearance.