#27008 Jervis Mcentee (1828-1891)

The drawing presents a study of trees, executed in charcoal on paper. Here we observe a cluster of trunks and branches dominating the composition, filling nearly the entire frame. The artists focus appears centered on capturing the texture and structure of the bark, rendered through dense hatching and cross-hatching that creates a palpable sense of roughness and age.
The trees are not depicted in isolation; rather, they seem to emerge from an indistinct background, suggested by lighter, more sporadic marks. This lack of detail in the surroundings contributes to a feeling of enclosure and emphasizes the imposing presence of the trees themselves. The branches extend upwards and outwards, their forms attenuated and somewhat chaotic, suggesting movement or perhaps the effects of wind.
The drawings monochromatic palette lends it a starkness that reinforces its contemplative nature. There is an absence of color which directs attention to the interplay of light and shadow on the bark’s surface. The artist has employed varying degrees of pressure in their charcoal application, creating tonal contrasts that define form and volume. This technique also imparts a sense of immediacy and spontaneity to the work.
A handwritten inscription appears at the lower right corner, providing a date – August 8, 1926. Its presence suggests this is a preparatory sketch or study, rather than a finished piece intended for exhibition. The inscription’s placement feels almost incidental, further reinforcing the impression of a quick observation and recording of natural forms.
Subtly, the drawing evokes themes of resilience and endurance. The gnarled trunks and weathered bark speak to the passage of time and the trees ability to withstand environmental forces. There is an underlying sense of quiet strength conveyed through the meticulous rendering of these natural elements.