Benedetto the Younger Gennari – Cleopatra
1674~1675. 125×105
Location: Yale Center for British Art, Paul Mellon Collection, New Haven.
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
Her skin tone is rendered with meticulous attention to detail, showcasing subtle gradations of light and shadow that suggest volume and texture. The depiction of her breasts is naturalistic, avoiding idealization while maintaining an element of classical beauty. A cascade of dark, loosely curled hair frames her face, drawing the eye towards her expression.
The woman’s gaze is complex; it conveys a mixture of defiance and resignation. Her lips are slightly parted, hinting at suppressed emotion or perhaps a silent plea. The presence of restraints – a thick cord encircling her wrists – immediately establishes a narrative of captivity and subjugation. These bindings are not overtly brutal but rather serve to underscore the loss of agency.
The figure is draped in rich fabrics that contribute significantly to the overall visual impact. A swath of orange-red cloth cascades over one side, contrasting sharply with the white fabric partially covering her lower body. The folds and drapes of these textiles create a sense of movement and luxury, even within the context of confinement.
The background is dominated by deep, dark tones – a curtain of crimson velvet that recedes into shadow. This creates a dramatic backdrop, isolating the figure and intensifying the focus on her emotional state. The limited palette reinforces the somber mood and contributes to an atmosphere of theatricality.
Subtly, the work explores themes of power, beauty, and mortality. The woman’s physical allure is juxtaposed with her evident distress, suggesting a commentary on the fragility of even the most formidable individuals. The restrained pose and melancholic expression imply a narrative beyond what is immediately visible – a story of loss, betrayal, or impending doom. The artist seems to be interested in portraying not just an individual but also a symbol of decline and the inevitable consequences of ambition.