William Joseph Shayer – Steeplechasing - At the Start
1869. 12×25
Location: Yale Center for British Art, Paul Mellon Collection, New Haven.
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The artist has skillfully captured the tension inherent in this pre-race scenario. Each horse displays a distinct posture: some are restless, pawing at the ground, while others stand relatively still, their muscles taut with contained energy. The jockeys, similarly, exhibit varying degrees of readiness; one leans forward intently, another sits relaxed but alert, and a third appears to be adjusting his equipment. This subtle differentiation in demeanor contributes to the overall sense of expectancy.
The background is rendered with looser brushstrokes, suggesting distance and atmospheric perspective. A distant stand, presumably for spectators, can be discerned amidst a cluster of trees on the horizon. The sky, painted in muted blues and whites, provides a backdrop that emphasizes the breadth of the landscape and reinforces the feeling of open space.
Beyond the immediate depiction of a sporting event, the painting seems to explore themes of control versus instinct, discipline versus freedom. The riders represent human attempts at mastery over powerful natural forces – the horses themselves embodying both grace and untamed potential. The vastness of the surrounding countryside hints at a broader context, suggesting that this race is not merely a competition but also a symbolic engagement with natures grandeur.
The composition’s horizontal format further emphasizes the sense of expanse and forward momentum, drawing the viewer’s eye towards the unseen course ahead. The overall effect is one of restrained drama – a moment suspended between stillness and explosive action.