Foxhunting – Coming to a Fence (Full Cry) William Joseph Shayer (1811-1892)

The composition presents a dynamic scene of equestrian pursuit across a rural landscape. Here we observe a group of horsemen engaged in what appears to be a foxhunt, nearing a wooden fence line. The central figure, mounted on a white steed, is positioned mid-leap over the obstacle, capturing a moment of intense action and athleticism. His posture suggests both control and urgency as he navigates the terrain.
The artist has employed a loose, expressive brushstroke throughout, contributing to a sense of immediacy and movement. The color palette is dominated by earthy tones – greens, browns, and greys – which evoke the atmosphere of a late autumn or early winter day. Patches of blue sky peek through the overcast conditions, providing a contrast to the muted hues of the land.
The other horsemen are depicted in varying degrees of detail, some appearing as blurred forms receding into the background, emphasizing the forward momentum of the chase. Their attire – red coats and top hats – signifies their social standing and participation in a traditional pastime. The trees, rendered with minimal foliage, frame the scene and contribute to the feeling of openness and expanse.
Beyond the literal depiction of a hunt, the painting seems to explore themes of leisure, class distinction, and the relationship between humans and nature. The pursuit itself can be interpreted as a metaphor for ambition or the relentless drive towards a goal. The landscape, while seemingly idyllic, also hints at an underlying tension – the disruption of natural order through human intervention. The fleeting moment captured – the horse’s leap – suggests the ephemeral quality of experience and the constant passage of time. There is a sense of privilege inherent in the scene; these individuals are afforded the opportunity to engage in this activity, highlighting a social hierarchy.