Improvisation Chromatique 117, De Marc Poissant

The canvas presents a vibrant arrangement seemingly centered around floral forms, though rendered in a highly abstracted style. A vertical element, likely a vase or container, anchors the composition near its center. It is depicted with broad, gestural strokes of muted green and grey, suggesting volume without precise detail. From this vessel emerge branches bearing stylized blossoms. These are not naturalistic representations; instead, they appear as flattened planes of color – predominantly reds, oranges, purples, and yellows – arranged in a dynamic, almost chaotic manner.

The artist employed an impasto technique throughout the work, with thick layers of paint creating a tactile surface. This contributes to the sense of energy and immediacy within the piece. The background is similarly treated with expressive brushwork, utilizing a palette of browns, creams, and dark tones that create depth and contrast against the brighter floral elements. Theres an intentional lack of clear boundaries; shapes bleed into one another, blurring distinctions between foreground and background.

The subtexts embedded in this work seem to revolve around the exploration of color and form rather than literal representation. The blossoms, while suggestive of nature, are deconstructed and reassembled according to a purely aesthetic logic. This suggests an interest in the inherent qualities of pigment and its capacity for emotional expression. The energetic brushstrokes convey a sense of spontaneity and improvisation, hinting at a process-oriented approach to creation.

The overall effect is one of controlled chaos – a deliberate disruption of conventional perspective and form that prioritizes feeling and visual impact over mimetic accuracy. It’s possible to interpret the work as an attempt to capture not the appearance of flowers but rather the experience of seeing them, filtered through the artists subjective perception and translated into a language of color and texture.