Helmer Osslund – Waterfall, Porjus
1915. 55×127
Location: National Museum (Nationalmuseum), Stockholm.
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The surrounding terrain appears to be composed of rocky outcrops and dense vegetation. The artist has rendered these elements with a textured application of paint, utilizing a palette primarily consisting of browns, greens, grays, and muted ochres. This restricted color range contributes to the overall somber and somewhat melancholic mood. Light plays an important role; it seems to emanate from behind the waterfall itself, creating a luminous effect that contrasts sharply with the darker tones of the surrounding rocks and foliage.
The placement of the vegetation in the foreground – a cluster of trees and shrubs – frames the central action of the waterfall, drawing the viewers eye towards the cascading water. These elements are not depicted with precise detail but rather as masses of color and texture, suggesting a deliberate attempt to convey an impressionistic rendering of nature.
Subtly, there is a sense of isolation conveyed by the scene. The absence of human presence reinforces this feeling, highlighting the overwhelming power of the natural world. It’s possible that the artist intended to evoke contemplation on themes of time, change, and the enduring strength of nature in contrast to human endeavors. The painting suggests an exploration of the sublime – the awe-inspiring and potentially terrifying aspects of the wilderness – and invites a meditative response from the observer.