Polidoro da Lanciano (After) – The Holy Family with the Infant St John
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Location: National Museum (Nationalmuseum), Stockholm.
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The primary grouping consists of three adults and two infants. A woman, draped in a rich green mantle over a vibrant red garment, holds one infant close to her chest. Her gaze is directed towards an older man positioned slightly to her right. This man, with a long beard and wearing simple robes, appears to be interacting with the second infant, who stands before him holding a lamb. The child’s posture suggests playful interaction; he seems to offer or present the animal.
The landscape contributes significantly to the overall meaning. The dense trees on either side create a sense of enclosure, suggesting a secluded and protected space. Beyond them, the distant hills are rendered in muted tones, creating atmospheric perspective that emphasizes their remoteness. A small flock of sheep is visible further into the background, adding to the pastoral setting. Above, two cherubic figures float amongst the clouds, observing the scene below.
Subtexts within this painting revolve around themes of divine protection and foreshadowing. The presence of the lamb held by the child immediately evokes associations with sacrifice and innocence – a clear allusion to John the Baptist’s future role. The older mans demeanor suggests wisdom and guidance, potentially representing Joseph or another paternal figure. The woman’s posture and gaze convey tenderness and maternal devotion.
The dark background serves not only as a compositional device but also contributes to an atmosphere of solemnity and reverence. It isolates the figures, emphasizing their significance within the broader narrative context. The overall effect is one of quiet contemplation, hinting at profound spiritual meaning embedded within this seemingly simple domestic scene.