#07704 Umberto Boccioni (1882-1916)

The painting presents a fragmented figure rendered in a predominantly warm color palette of ochre, russet, and burnt orange, punctuated by areas of deep blue and black. The composition lacks traditional perspective; instead, the subject appears disassembled into geometric planes that overlap and intersect, creating a sense of simultaneity rather than sequential observation.
Here we see what seems to be a seated female figure, though her form is abstracted to the point where conventional anatomical recognition becomes difficult. Limbs are suggested through angular shapes, and the head is reduced to a series of overlapping planes that imply volume without defining specific features. The artist has employed a limited range of tones within each color field, emphasizing texture and surface quality over precise modeling.
The background is similarly fragmented, composed of sharp angles and contrasting hues that contribute to the overall sense of instability and disorientation. Theres an absence of spatial depth; the figure appears flattened against the backdrop, further reinforcing the two-dimensionality characteristic of this style. The lower portion of the painting introduces a yellow hue, which provides a subtle contrast to the dominant warm tones and adds visual interest.
Subtly, the work conveys a sense of psychological tension or emotional fragmentation. The deconstruction of form might suggest an exploration of identity or a questioning of traditional representations of the female body. The lack of clear narrative cues encourages viewers to engage with the painting on a purely formal level, focusing on the interplay of shapes and colors rather than seeking a representational meaning. It is possible that the artist intended to convey a sense of interiority – a portrayal not of outward appearance but of an internal state characterized by complexity and perhaps even distress.