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The lateral panels are densely populated with figures engaged in various activities within architectural settings reminiscent of Italianate urban spaces. On the left panel, a procession unfolds beneath arches and porticoes; individuals dressed in varied attire appear to be participating in some form of public ceremony or gathering. The right panel displays another group of people interacting around what seems to be an altar or ceremonial structure. A figure appears to be presenting something to those gathered.
The color palette is dominated by earth tones – ochres, browns, and deep reds – accented with touches of blue and pink in the figures’ garments. The gold background contributes a sense of sacredness and otherworldliness. The architectural elements are stylized rather than realistically rendered, suggesting an emphasis on symbolic representation over precise depiction.
Subtly, there is a contrast between the stillness and centrality of the figure in the middle panel and the dynamic activity within the side panels. This juxtaposition might suggest a connection between individual faith or spiritual journey (represented by the central figure) and communal practice or public devotion (illustrated in the scenes on either side). The architectural settings imply a worldly context, yet the overall effect is one of transcendence, hinting at a narrative that bridges earthly existence with a higher realm. The book held by the central figure likely signifies knowledge, scripture, or teachings – a key element in understanding his role and significance within this visual arrangement.