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Flanking him on either side are two additional figures crucified upon separate crosses, their presence contributing to a sense of overwhelming tragedy and sacrifice. Below the central cross, a multitude of individuals are arranged in layers, creating a visual hierarchy that emphasizes the importance of the event taking place above. These figures include what appear to be mourners, soldiers, religious dignitaries, and possibly witnesses to the crucifixion.
The artist employed a limited palette dominated by earthy tones – ochres, browns, and reds – which contribute to the somber mood. Gold leaf is used sparingly but effectively to highlight certain elements, such as the halos surrounding some of the figures, signifying their sanctity or divine connection. The faces are rendered with a degree of stylization; individual features are simplified and generalized, prioritizing emotional expression over precise anatomical detail.
The arrangement of the crowd suggests a sense of chaos and grief. Figures gesture dramatically, expressing sorrow and despair. A banner bearing an inscription is prominently displayed near the central cross, likely conveying a religious message or identifying the event being depicted. The presence of soldiers on horseback introduces a note of authority and power, contrasting with the vulnerability of those crucified.
Subtly, theres a sense of spatial compression; figures are packed closely together, diminishing any illusion of depth and intensifying the feeling of claustrophobia and emotional intensity. This crowding also serves to emphasize the communal aspect of suffering and witness. The overall effect is one of profound religious significance, intended to evoke piety and reflection in the viewer.