На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
Flanking the central figure are four angelic beings, positioned symmetrically on either side. They wear flowing blue garments and possess halos indicating their celestial status. Each angel holds a small, rectangular object – likely symbolic representations of attributes or instruments – held out towards the viewer. Their faces exhibit similar expressions of quiet contemplation, contributing to the overall atmosphere of reverence.
The background is a flat, gold surface, typical of Byzantine and early Renaissance artistic conventions. This lack of spatial depth reinforces the painting’s function as an icon, intended for veneration rather than realistic representation. A horizontal band runs along the bottom edge of the composition; it contains Latin script, likely an inscription identifying the figures or offering a devotional prayer.
The color palette is restrained but impactful: the deep blues and reds evoke royalty and spirituality, while the gold leaf adds a sense of opulence and divine light. The limited range of colors contributes to the painting’s formal elegance and reinforces its symbolic meaning.
Subtly, the composition suggests themes of protection and intercession. The mothers posture and expression convey a maternal authority, while the presence of the angels implies divine support and guardianship. The infant’s gaze directs attention outwards, perhaps hinting at his future role or significance. Overall, the painting conveys a sense of solemn piety and reinforces the importance of faith within its historical context.