На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
Above this earthly setting, a luminous cloud formation serves as the backdrop for a group of figures arranged in a hierarchical structure. A central figure, presumably female, is surrounded by several winged beings – angels – who encircle her in a dynamic arrangement. The artist has employed a bright, almost blinding light emanating from behind these figures, creating an aura of sanctity and emphasizing their elevated status. This light also contributes to the flattening of depth perception within this upper portion of the painting.
The color palette is characterized by earthy tones in the landscape – greens, browns, and ochres – contrasted with the brighter blues and whites used for the celestial figures and surrounding clouds. The application of paint appears relatively loose and fluid, indicative of a painterly approach rather than meticulous detail.
Subtleties within the work suggest themes of divine intervention and reverence. The positioning of the earthly figures in relation to the heavenly scene implies observation or worship. The inscription at the bottom, Angeli Mariae Virginis Domvm Circumferunt, provides context – it indicates that the angels are surrounding a dwelling place of a virgin Mary. This suggests a narrative moment of divine blessing or protection. The overall effect is one of awe and spiritual significance, conveyed through the juxtaposition of the natural world with the supernatural realm.