#52016 Italy

The composition unfolds within a high, arched format, immediately establishing a sense of reverence and elevation. A central grouping dominates the visual field: a maternal figure holds an infant close, surrounded by several other figures arranged in a hierarchical manner. Above them, a celestial realm is suggested through the presence of winged beings, seemingly engaged in a chorus or observation.
The woman’s attire – a flowing blue robe and crimson mantle – indicates her importance within the scene. Her gaze is directed outward, conveying both tenderness and a sense of solemnity. The infant she cradles appears peaceful, his form softly rendered against the fabric of her garments. The figures surrounding them are presented in varying degrees of devotion; one kneels with hands clasped in prayer, while another gazes upwards with an expression of awe. A smaller figure at the base of the composition, seemingly a child, interacts with a small animal – perhaps a lamb – adding a layer of pastoral innocence to the overall narrative.
The artist employs a muted palette, relying on blues, reds, and golds to create a sense of warmth and spiritual significance. Light emanates from an unseen source, illuminating the central figures while leaving the background in relative shadow. This contrast enhances the feeling of otherworldliness associated with the upper portion of the painting.
The inscription at the bottom, Sancte Raphael Ora pro Nobis, suggests a dedication to Saint Raphael and a plea for intercession. The presence of angels above reinforces this devotional context, implying divine protection and blessing. Subtly, the arrangement of figures – the maternal figure as the focal point, surrounded by supplicants and celestial witnesses – hints at themes of motherhood, faith, and divine grace. The inclusion of the lamb could be interpreted as a symbol of innocence or sacrifice, further enriching the painting’s symbolic depth.