Axel Kulle – The Prodigal Son. Sketch
1881. 36×46
Location: National Museum (Nationalmuseum), Stockholm.
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To the right stands a younger figure, positioned slightly apart from the group. He leans on his hand, his expression one of profound melancholy and introspection. His stance suggests a hesitant approach, as if he’s uncertain whether to intrude upon the solemnity of the gathering. The clothing worn by this individual – a somewhat disheveled coat – hints at a recent journey or a life lived outside the confines of this domestic space.
Behind him, partially obscured, are two additional figures. One appears to be an older woman, her face etched with what could be interpreted as either joy or relief; she holds a basket, possibly containing provisions. The other figure beside her is younger and seems to share in the emotion conveyed by the woman, their faces turned towards the young man standing apart.
The artist employed a loose brushstroke throughout, contributing to an overall feeling of immediacy and sketch-like quality. This technique softens the edges of the figures and objects, creating a sense of atmospheric depth. The limited palette – primarily browns, grays, and muted greens – reinforces the somber mood.
Subtly, the arrangement suggests a narrative of return or reconciliation. The older men seem to represent authority or established order, while the young man embodies a figure who has strayed and now seeks acceptance. The woman with the basket could symbolize forgiveness or restoration. The bowl on the table might be interpreted as a symbol of sustenance – both material and spiritual – offered to the returning individual. Ultimately, the painting evokes themes of familial duty, repentance, and the complexities of human relationships.