#38637 Esteban Frances

Here we observe a drawing depicting a figure adorned in elaborate costume and headdress. The individuals skin tone is rendered in shades of brown, contrasting with the predominantly white and gold detailing of their attire. A complex arrangement of geometric shapes – triangles, chevrons, and stylized floral motifs – decorate both the clothing and the body itself, creating an intricate visual tapestry.
The costume appears to be a layered construction. A low-cut bodice reveals portions of the upper chest and shoulders, while a skirt composed of angular panels extends down to the ankles. Bands of gold adorn the wrists, biceps, and lower legs, further emphasizing the decorative nature of the ensemble. The headdress is particularly striking; it rises dramatically from the head, incorporating yellow and orange elements that suggest stylized petals or flames.
The figure’s posture conveys a sense of poised elegance. They stand with feet turned outward, suggesting a dancers stance, although no specific action is depicted. This stillness contributes to an overall impression of ceremonial importance rather than dynamic movement. The artist has employed a limited palette – primarily browns, whites, golds, and touches of yellow and orange – which reinforces the sense of formality and exoticism.
A handwritten inscription in the lower right corner identifies the work as Figure for The Carpet Balanchine - Mendelssohn, providing contextual information about its intended purpose as a costume design. This suggests that the figure is meant to embody a specific character or role within a theatrical production, likely one with an emphasis on spectacle and visual display. The drawing’s meticulous detail and stylized rendering point towards a deliberate effort to create a visually arresting image, prioritizing aesthetic impact over naturalistic representation.