Heinrich Buchholz – Portrait of Princess Daria Golitsyna
1772. 64×53
Location: The State Tretyakov Gallery, Moscow (Государственная Третьяковская галерея).
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Here we see a woman with a full face and rounded features, rendered with an attention to detail suggesting a desire for realism within the conventions of portraiture. Her complexion appears pale, typical of aristocratic representation during this period, and is contrasted by the rich color of her gown. The elaborate coiffure, piled high and adorned with ribbons, speaks to the fashion trends of the time and underscores her social standing. A delicate pearl necklace encircles her neck, adding a touch of understated elegance.
A significant element is the large bow pinned at her chest. This isnt merely decorative; it incorporates an oval miniature portrait within its center. The inclusion of this smaller image suggests familial connections or perhaps commemorates a significant individual in her life – a husband, child, or patron. It functions as a visual shorthand for lineage and social relationships, reinforcing the subject’s place within a network of power and influence.
The womans gaze is direct and steady, conveying an impression of composure and self-assurance. The expression is not overtly joyful but rather one of dignified reserve, consistent with expectations for aristocratic women in formal portraits.
Subtly, the painting conveys notions of status, lineage, and personal identity. The artist’s choice to depict her within a circular format lends a sense of completeness and timelessness, elevating her beyond a mere likeness into an enduring representation of her social position. The overall effect is one of restrained grandeur, indicative of a woman firmly established within the hierarchies of her society.