cervus elaphus Andre Buzin

Here we observe a depiction of a large male deer, specifically identified by the Latin name Cervus elaphus. The animal is presented in profile, positioned slightly left of center within the composition. Its coat displays a rich palette of browns and tans, meticulously rendered to suggest texture and depth through subtle gradations of color. The artist has paid particular attention to capturing the musculature of the deer, conveying a sense of power and vitality.

The antlers are prominent, branching outwards in an elaborate display characteristic of mature males during the breeding season. They appear weighty and substantial, contributing to the overall impression of strength. The animal’s head is tilted slightly upwards, its gaze directed beyond the frame, suggesting alertness or perhaps a moment of observation.

The background consists of dense foliage – a mix of grasses and coniferous trees – rendered in muted greens and yellows. This backdrop establishes a natural habitat for the deer, though it remains somewhat indistinct, serving primarily to contextualize the animal rather than drawing attention to itself. The ground beneath the deer is uneven, covered with vegetation that further reinforces the sense of a wild environment.

The composition’s formality – the centered placement of the subject and the relatively simple background – suggests an intention beyond mere representation. It appears to be a study or illustration intended for scientific or educational purposes. The inclusion of the Latin name above the image supports this interpretation, indicating a focus on taxonomic accuracy rather than artistic expression in the traditional sense.

The artist’s signature and the notation Scanned by Pierre at the bottom suggest that this is likely a reproduction of an earlier work, possibly intended for wider dissemination. The overall effect is one of careful observation and precise rendering, prioritizing detail and clarity over stylistic flourishes.