Bulletin Roerich N.K. (Part 6)
Roerich N.K. – Bulletin
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Location: The State Museum of Oriental Art, Moscow (Государственный музей искусства народов Востока).
The strikingly beautiful painting, created in a technique using a tempera palette of colors, was created by the artist in 1924. Subsequently, in 1925, in Adyar, he gave it to the Theosophical Society in the person of its founder - a unique Russian woman - Blavatsky Elena Petrovna. She had an unusually high degree of cultural and moral education, and the refined beauty of the Renaissance ideals. The canvas depicts a Buddhist temple, immersed through a half-opened door in the dawn rays of the sun, and meeting the Messenger, a beautiful woman in oriental attire. Who is he, this strange wayfarer? What news does he bring? Ignorance and the first, stirred the mind, feelings make the heart beat even faster in anticipation of discovering the mystery of such an unexpected guest.
Description of Nikolai Roerich’s painting The Messenger
The strikingly beautiful painting, created in a technique using a tempera palette of colors, was created by the artist in 1924. Subsequently, in 1925, in Adyar, he gave it to the Theosophical Society in the person of its founder - a unique Russian woman - Blavatsky Elena Petrovna. She had an unusually high degree of cultural and moral education, and the refined beauty of the Renaissance ideals.
The canvas depicts a Buddhist temple, immersed through a half-opened door in the dawn rays of the sun, and meeting the Messenger, a beautiful woman in oriental attire.
Who is he, this strange wayfarer? What news does he bring? Ignorance and the first, stirred the mind, feelings make the heart beat even faster in anticipation of discovering the mystery of such an unexpected guest. After all, news can be completely unpredictable and come from everywhere, warning or guarding against some event, which is what the woman heard.
Thus, the symbolic gesture of the right hand of a man, which in Buddhism means the mudra of self-improvement and who of an important event, in the work of Roerich repeatedly displayed. The theme of the messenger and the messenger, who carried important news, was one of the priority themes in the painting.
The predominance of violet-greenish hues in the picture, combined with the golden hues of the sun’s rays, characterize the oppressed and anxious atmosphere of the unexpected visit, and the woman’s delicate pink garment softens and eliminates the resulting anxiety. Her image, symbolizes intuition and the image of the savior, and finds resemblance to the image of Helena Blavatsky, who revealed in her works the meaning of Genesis, thus being a majestically - solemn Messenger. The image of the Buddha symbolizes the soothing of the soul, peace and tranquility.
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To the left, a figure stands in profile, rendered with elongated proportions characteristic of stylized representation. This individual appears to be observing the central action, their gaze directed towards the figures within the portal’s opening. The presence of what seems to be a halo suggests a spiritual or elevated status.
The central focus lies on two individuals positioned before the doorway. One figure, draped in flowing robes, stands with hands clasped in a gesture that could signify supplication, reverence, or perhaps hesitant anticipation. Facing this person is another individual, also clad in robes, who appears to be gesturing outwards, towards an unseen vista beyond the portal. The landscape visible through the opening suggests a mountainous terrain bathed in a golden light, hinting at a promise of revelation or transcendence.
Above the doorway, several smaller figures are depicted within circular medallions. These appear to be stylized representations of individuals engaged in some form of ritualistic activity, possibly chanting or offering prayers. Their placement above the main scene reinforces the sense of a sacred space and elevates the narrative’s significance.
The paintings subtexts revolve around themes of faith, revelation, and the threshold between the known and the unknown. The architectural framing suggests a transition point – a doorway to something beyond ordinary experience. The gestures and postures of the figures convey a complex interplay of hope, uncertainty, and spiritual yearning. The use of stylized forms and symbolic colors contributes to an overall sense of mystery and invites contemplation on the nature of belief and the search for meaning.