Roerich N.K. – AllSlav # 195 (Earth-Slavic)
1944. Tempera on cardboard. 30.6 x 45.5 cm.
Location: Whereabouts are unknown. Meeting of JN Roerich
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The landscape itself is rendered in simplified forms and a limited palette of blues, greens, and muted earth tones. A cluster of buildings, seemingly a small town or village, occupies a central position on an elevated plateau. The architecture appears traditional, with white structures punctuated by what might be a church spire or tower. This settlement is nestled amidst rolling hills and mountains that recede into the distance under a hazy sky. A body of water, likely a river or lake, borders the landmass, adding depth to the perspective.
The framing device – the dark arch – creates a sense of enclosure and separation between the viewer (and by extension, the figure) and the depicted world. It suggests a threshold, a boundary between an unknown space and this idealized landscape. The stark contrast between the darkness of the frame and the relative brightness of the scene it contains amplifies the feeling of distance and perhaps even unattainability.
Subtextually, the work seems to explore themes of identity, belonging, and aspiration. The figure’s isolation within the dark arch could symbolize a sense of displacement or alienation from the community represented by the village. The blue element in their attire might signify connection to something larger than themselves – perhaps heritage, spirituality, or an emotional state. The idealized nature of the landscape suggests a yearning for a place of peace and belonging, a vision that remains just beyond reach. The painting evokes a sense of melancholy and quiet introspection, prompting reflection on themes of cultural identity and the human desire for connection.