Roerich N.K. – The Himalayas # 119
1946. Cardboard, tempera. 30.6 x 46.0 cm.
Location: National Gallery for foreign art, Sofia (Национална галерия за чуждестранно изкуство).
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The sky isnt depicted as a uniform expanse; instead, it’s constructed from undulating bands of color, suggesting movement or perhaps the layering of clouds at different altitudes. These forms lack sharp definition, contributing to an overall feeling of ethereal distance. The mountainous terrain below is similarly treated with broad, sweeping strokes. The peaks are not sharply defined but rather appear as rolling waves of earth and stone, echoing the fluidity seen in the sky above. A dark brown band anchors the lower portion of the composition, providing a grounding element while also emphasizing the height and scale of the mountains.
The application of paint is notable; it appears thick and textured, with visible brushstrokes that contribute to the paintings tactile quality. This technique lends an immediacy and physicality to the scene, preventing it from feeling purely representational. The lack of detail and the simplification of forms suggest a focus on conveying emotional or spiritual experience rather than precise topographical accuracy.
Subtly, there’s a sense of isolation conveyed by the absence of any human presence or signs of civilization. This reinforces the impression of an untouched wilderness, evoking feelings of awe and perhaps even a touch of melancholy in the face of such immensity. The repetition of wave-like forms throughout the composition – in both the sky and the mountains – creates a visual rhythm that could be interpreted as symbolizing the cyclical nature of time or the interconnectedness of natural elements. Ultimately, the work seems to explore themes of scale, perspective, and the sublime power of the natural world.