Thomas Woodward – Horses in a Thunderstorm
1823. 31×36
Location: Yale Center for British Art, Paul Mellon Collection, New Haven.
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Похоже, это та самая Сивая Кобыла из поговорки, пусть на картине и жеребец!
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Two equine figures are positioned within this space. One horse, predominantly white, appears to be moving away from the viewer at an oblique angle. Its posture conveys a sense of urgency and perhaps apprehension; the head is lowered slightly, and the body seems braced for flight. The second horse, a dark, almost black animal, occupies the right side of the frame. It’s depicted in mid-stride, its form contorted with dynamic energy. The artist has emphasized the musculature through strong tonal contrasts, creating an impression of raw power and untamed spirit.
Above this scene unfolds a dramatic sky. Heavy, dark clouds swirl and billow across the upper portion of the canvas, obscuring any discernible horizon line. The light is diffused and ominous, suggesting an impending storm or one already in progress. This atmospheric backdrop contributes significantly to the overall mood, imbuing the work with a feeling of foreboding and unrest.
The color palette is restricted primarily to earth tones, blacks, whites, and grays, which reinforces the somber tone. The stark contrast between the light-colored horse and the dark one draws attention to their individual forms while simultaneously highlighting the inherent duality within nature – light versus shadow, calm versus chaos.
Beyond a straightforward depiction of horses in inclement weather, the painting seems to explore themes of vulnerability and resilience. The animals’ reactions to the storm could be interpreted as symbolic representations of human responses to adversity – fear, instinctual flight, or perhaps an unwavering determination to endure. The absence of any human presence further emphasizes the raw, elemental power of nature and its impact on living creatures.