Sotheby’s – Alfred Sisley - Great Nut-Tree in Spring, Eragny, 1894
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The sky occupies a significant portion of the composition, exhibiting a layered effect achieved through short, broken brushstrokes in varying shades of blue, grey, and white. This creates a sense of atmospheric depth and suggests movement within the air itself. The foliage is similarly treated; individual leaves are not delineated but rather suggested by dabs and strokes of green, yellow, and touches of pink, conveying the vibrancy of springtime.
In the foreground, a small figure, presumably female, stands near the base of the tree, seemingly absorbed in observation or contemplation. Her presence introduces a human element to the scene, albeit one that is subordinate to the natural world. A path leads away from her towards the middle ground, hinting at a journey or passage through this landscape.
The color palette is predominantly cool – greens and blues dominate – but punctuated by warmer tones in the tree’s blossoms and the distant fields. This contrast enhances the visual interest and contributes to the overall feeling of tranquility. The application of paint is loose and textured; visible brushstrokes contribute to a sense of immediacy and spontaneity, characteristic of plein air painting.
Subtly, the work evokes themes of renewal and the cyclical nature of time. The blossoming tree symbolizes springtimes resurgence after winter’s dormancy. The solitary figure suggests a connection with nature, perhaps an invitation for quiet reflection on the beauty and transience of life. The vastness of the landscape implies a sense of timelessness and the enduring power of the natural world.