Sotheby’s – Gustave Loseau - Hoar-Frost, 1910
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
Here we see a river or lake reflecting the somber tones above. The water’s surface isnt smooth; it possesses a subtle texture suggesting gentle movement or ripples, though these are subdued by the overall stillness. The reflections are not precise duplicates of what lies above but rather softened, blurred versions – contributing to the dreamlike quality of the composition.
The trees occupy the majority of the right side of the painting and appear heavily laden with frost or snow. Their branches are stark against the sky, their forms simplified by the coating of ice. The artist employed a technique that emphasizes texture; individual brushstrokes are visible, creating a sense of surface irregularity on both the foliage and the ground. This textural emphasis reinforces the feeling of a tactile, frozen environment.
The foreground is defined by a strip of grassy bank, also rendered in cool tones – blues, greens, and greys – which further enhances the overall monochromatic palette. The brushwork here appears slightly looser than elsewhere, adding to the sense of distance and atmospheric haze.
Subtly, the painting evokes themes of isolation and dormancy. The absence of human presence and any signs of activity contribute to a feeling of quietude and introspection. The frost-covered trees suggest a period of suspension – a moment before renewal or transformation. While visually serene, there is an underlying sense of melancholy inherent in the depiction of a landscape seemingly devoid of warmth and vitality. The subdued color palette and blurred forms create a contemplative mood, inviting reflection on the passage of time and the cyclical nature of seasons.