Sotheby’s – Maximilien Luce - Seascape in Bretogne near Saint-Malo, 1934-35
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
Beyond the rocks, the sea stretches towards the horizon. Here we see choppy water, depicted with short, broken brushstrokes in varying greens and blues, conveying movement and a degree of turbulence. The surface is not smooth; instead, it appears agitated, reflecting the overcast sky above. A band of lighter turquoise suggests breaking waves or areas where light momentarily penetrates the gloom.
In the middle ground rises a substantial landform – likely an island or headland – covered in dense vegetation. Its form is solid and imposing, rendered in darker greens that contrast with the brighter tones of the water. The artist has simplified its contours, prioritizing mass over detail.
The sky occupies a significant portion of the upper register. It’s a swirling expanse of grey and white, built up from layers of paint applied with an energetic touch. There is no clear delineation between cloud and sky; instead, they merge into one another, contributing to the overall feeling of atmospheric instability. The light source remains obscured, lending the scene a muted, almost melancholic quality.
The painting’s subtexts revolve around humanitys relationship with nature – specifically, a confrontation with its power and unpredictability. There is an absence of human presence; the landscape feels untouched, indifferent to any potential observer. The rough application of paint and the limited palette suggest a focus on capturing the raw essence of the coastal environment rather than presenting a picturesque or idealized view. The scene evokes a sense of solitude and contemplation, inviting reflection on the forces that shape our world.