Henri Lebasque – Young Girl, 1930 Sotheby’s

Here we see a drawing depicting a coastal scene, likely a beach setting. The composition is dominated by a large expanse of sand, rendered in muted ochre and beige tones that convey both the texture and the light reflecting off it. A woman, centrally positioned, sits hunched over, her posture suggesting introspection or perhaps fatigue. Shes clad in what appears to be a long dress or robe, colored in shades of red and brown, with a large hat obscuring much of her face. The artist has used loose lines and washes to define her form, creating an impressionistic quality that prioritizes mood over precise detail.
To the left, a figure – presumably another person – stands further away, partially obscured by a rocky outcrop. This individual is dressed in green and appears to be engaged with the seated woman, although their interaction remains ambiguous due to the distance and lack of clarity in the drawing. The placement of this secondary figure introduces a sense of narrative or observation; they are witnesses to the central subjects solitude.
The background features a body of water – likely the sea – rendered in cool blues and greens, with a suggestion of distant boats on the horizon. A rocky promontory rises from the beach, adding depth and visual interest to the landscape. The sky is indistinct, contributing to the overall feeling of quietude and isolation.
The artist’s technique emphasizes spontaneity and fleeting impressions. The use of watercolor allows for washes that blend colors softly, creating a hazy atmosphere. Lines are often sketchy and incomplete, suggesting a rapid execution and an emphasis on capturing the essence of the scene rather than meticulous representation.
Subtly, the drawing evokes themes of solitude, contemplation, and perhaps even melancholy. The woman’s posture and obscured face invite speculation about her thoughts or feelings. The presence of the other figure hints at human connection but also reinforces the sense of distance and separation. Overall, the work conveys a quiet moment of observation on a beach, imbued with a gentle sadness and a sense of transience.