Part 2 National Gallery UK – Filippino Lippi - The Virgin and Child with Saint John
с1480
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The background is divided into two distinct zones. Immediately behind the figures stretches a landscape rendered with atmospheric perspective; distant hills are softened by a hazy blue, punctuated by dark silhouettes of trees. This creates a sense of depth and establishes a setting that feels both idealized and removed from earthly concerns. Closer to the foreground, a low ledge or table is visible, upon which rests an open book and a decorative bowl overflowing with white blossoms. The presence of the book suggests a narrative context – perhaps referencing scripture or a devotional text – while the flowers contribute to the overall sense of purity and grace.
The artist’s use of light is significant. A soft, diffused glow illuminates the figures, highlighting their features and emphasizing the delicate textures of their garments. This gentle illumination contributes to the paintings atmosphere of quiet piety. The color palette is restrained but effective; the blue mantle contrasts with the pink robes of the boy and the flesh tones of the figures, creating visual interest without disrupting the overall harmony.
Subtleties within the scene invite further consideration. The child’s berries could be interpreted as a foreshadowing of sacrifice or a symbol of innocence. The open book on the ledge implies an ongoing narrative, suggesting that this moment is part of a larger story. The boys posture and gaze suggest a future role – perhaps hinting at his eventual identification as a saint. Overall, the work conveys a sense of profound religious devotion, rendered with meticulous detail and imbued with symbolic resonance.