Part 2 National Gallery UK – Edouard Manet - The Execution of Maximilian
1867-68
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Flanking this central group are two smaller panels. One depicts a man’s face, seemingly captured mid-expression – perhaps shock or resignation – while another shows a figure in a clerical collar, his hands clasped in what could be interpreted as prayer or supplication. These inset images disrupt the formal arrangement of the main scene and introduce elements of personal drama and spiritual contemplation.
The artist’s use of light is particularly noteworthy. The central figures are bathed in a diffused, almost flat illumination that minimizes shadows and emphasizes their collective presence. This contrasts with the darker tones of the background and the more dramatic lighting on the inset portraits, which heighten their emotional impact. The horizon line is low, further emphasizing the scale of the event and the imposing nature of the executioners.
Subtexts within the work revolve around themes of political injustice, state-sanctioned violence, and the complexities of human responsibility. The averted gazes of the soldiers suggest a deliberate avoidance of moral accountability, while the inclusion of the religious figure hints at the spiritual implications of such an act. The composition’s formal structure, reminiscent of historical paintings, ironically underscores the brutality of the event by presenting it with a veneer of official solemnity. The overall effect is one of profound unease and a questioning of power structures and their consequences.