Michiel van Mierevelt (After) – Maria Eleonora (1599-1655), Princess of Brandenburg, Queen of Sweden
1619. 121×95
Location: National Museum (Nationalmuseum), Stockholm.
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
Her clothing is elaborate and indicative of high status. A richly embroidered crimson gown forms the base of her ensemble, adorned with intricate patterns visible along the sleeves and hemline. Over this, she wears a white lace ruff that frames her face, its delicate texture contrasting with the heavier fabrics beneath. The sleeves are puffed and embellished with further decorative elements, suggesting considerable wealth and access to skilled artisans. A string of pearls is draped around her neck, adding another layer of opulence. Her hair is styled in a complex arrangement, incorporating curls and possibly extensions, all contained within a structured headdress.
The background drapery, rendered in shades of red and brown, creates a sense of depth while also serving to isolate the figure from any specific location or narrative context. A small inscription appears on the left side of the canvas, likely detailing her identity and lineage – a common practice in portraiture intended to solidify social standing and historical record.
The overall effect is one of restrained grandeur. The woman’s expression is not overtly joyful but rather conveys a sense of dignity and self-possession. Theres an intentional lack of overt emotional display, which reinforces the impression of controlled power and adherence to societal expectations for women of her rank. The meticulous detail in rendering the fabrics and jewelry suggests a desire to showcase wealth and refinement, while the formal pose and direct gaze project an image of authority and importance. The painting functions as more than just a likeness; it is a carefully constructed representation designed to communicate status, lineage, and personal character within a specific social framework.