Louis Gauffier – A Portrait of Johan Claes Lagersvärd (1756-1863)
1799. 67.3×50.2
Location: National Museum (Nationalmuseum), Stockholm.
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The setting is deliberately staged. To the left, heavy draperies frame a view of a distant cityscape, likely depicting a prominent architectural landmark under a cloudy sky. This backdrop suggests both connection and separation – a link to public life while maintaining an air of private contemplation. A marble bust sits atop a cylindrical pedestal on the right side of the painting. The bust’s placement reinforces the subjects status and hints at intellectual pursuits or familial legacy.
The table itself is covered with a rich red cloth, upon which are scattered papers, a small bowl, and what appears to be an inkwell. These objects suggest a man engaged in scholarly or administrative work, but their arrangement feels somewhat theatrical rather than indicative of genuine activity. The lighting is carefully controlled; it illuminates the gentleman’s face and hands, drawing attention to his features and emphasizing his role as the focal point.
The overall effect is one of restrained dignity and cultivated refinement. The artist has created a portrait intended not merely to record likeness but also to convey social standing, intellectual capacity, and a sense of personal gravitas. The deliberate arrangement of objects and the carefully chosen backdrop contribute to an impression of authority and established position within society. Theres a subtle tension between the formality of the pose and the slight relaxation in his expression, suggesting a man who is both serious and comfortable in his own skin.