Frederick Carl Frieseke – the garden c1915
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The garden itself is not depicted with photographic realism; instead, it’s constructed from an accumulation of individual color patches that blend together at a distance. Roses and other flowering plants dominate the composition, their forms suggested rather than precisely defined. The foliage is rendered in a variety of greens, yellows, and browns, creating a vibrant tapestry of hues. Two buildings flank the garden on either side; their presence suggests a cultivated, enclosed space – a private retreat.
The woman’s position within the scene is significant. She stands at a point where the path curves toward a circular pool or basin, its surface reflecting the surrounding vegetation and her own image. The parasol she holds obscures part of her face, lending an air of mystery to her presence. Her attire – a striped dress – introduces a vertical element that contrasts with the horizontal flow of the garden beds and the curved path.
The overall effect is one of tranquil beauty and contemplative solitude. The dense vegetation creates a sense of enclosure, while the light filtering through the leaves suggests warmth and serenity. The woman’s presence hints at an individual experience within this idyllic setting – a moment captured in time. Subtly, theres a feeling of artificiality; the garden is too perfect, too meticulously arranged to be entirely natural. This might imply a commentary on constructed beauty or the human desire to impose order upon nature. The reflective pool further reinforces this sense of artifice, mirroring not only the scene but also potentially suggesting an exploration of self-perception and illusion.