Jean Dubuffet N A 39763 1146 часть 3 -- European art Европейская живопись

The work presents a dense field of marks and textures across its surface, executed in monochrome. The absence of color contributes significantly to the overall effect, emphasizing the materiality of the medium and directing attention towards the interplay of light and shadow within the composition.
Here we see an accumulation of gestural lines, some thin and delicate, others thick and assertive. These markings do not coalesce into recognizable forms; instead, they create a complex network that appears both chaotic and deliberately structured. The artist employed a variety of techniques – scraping, smudging, layering – to build up the surface. This results in an uneven topography where areas appear raised or recessed, suggesting a tactile quality beyond what is visually apparent.
The composition lacks a clear focal point; instead, the eye wanders across the expanse of marks, encountering variations in density and intensity. Darker patches are scattered throughout, acting as anchors within the swirling field. These darker zones seem to absorb light, creating pockets of visual weight that contrast with the lighter areas where the surface appears more porous or even transparent.
The subtexts embedded within this work revolve around notions of process and materiality. The artist seems less concerned with depicting a subject than with exploring the possibilities inherent in the medium itself. Theres an intentional relinquishing of control, allowing chance and accident to play a role in the final outcome. This approach suggests an interest in the raw, unmediated act of creation – a focus on the physical gestures involved rather than any representational goal. The work evokes a sense of primal energy, hinting at something unearthed or revealed through this process of layering and manipulation. It could be interpreted as a visual record of a performative action, capturing the fleeting moments of interaction between artist and material.