Jean Dubuffet Paysan sautant sur son petit arpent 3272 1146 часть 3 -- European art Европейская живопись

The artwork presents a densely layered composition dominated by dark, earthy tones – browns, blacks, and deep reds – with sporadic bursts of white and blue. The surface texture is palpably rough, achieved through the application of thick impasto and what appears to be embedded materials, creating a tactile quality that draws attention to the materiality of the paint itself.
A central figure, seemingly human but rendered in an intentionally crude style, occupies the foreground. This individual is depicted mid-leap, their limbs elongated and simplified into basic forms. The face exhibits a broad, almost unsettling smile, devoid of nuanced expression. The body appears somewhat spherical, contributing to a sense of awkwardness or exaggerated physicality.
Surrounding this figure is an environment constructed from rudimentary architectural elements. A series of blocky structures, resembling houses or buildings, are arranged in a chaotic fashion along the upper portion of the canvas. These forms lack detail and perspective, appearing more as symbolic representations than realistic depictions. Vertical lines, reminiscent of fences or walls, intersect with horizontal strokes that suggest ground planes or rooftops.
The overall effect is one of deliberate primitivism. The artist seems to have consciously rejected conventional notions of beauty and technical skill in favor of a raw, almost childlike aesthetic. This approach evokes associations with folk art, outsider art, and the visual language of children’s drawings. Theres an intentional lack of refinement; lines are shaky, proportions are distorted, and perspective is absent.
Subtextually, the work might be interpreted as a commentary on societal structures or the human condition. The leaping figure could symbolize freedom, rebellion, or perhaps a desperate attempt to escape confinement. The surrounding buildings suggest a restrictive environment, while the unsettling smile of the central figure introduces an element of ambiguity – is it joy, madness, or something else entirely? The rough texture and primitive style contribute to a sense of unease and alienation, suggesting a critique of established norms and values. The deliberate crudeness could be read as a rejection of intellectualism in favor of a more visceral, immediate experience.