Jean Dubuffet N A 39815 1146 часть 3 -- European art Европейская живопись

The work presents a densely populated scene rendered in stark black ink on a white background. The composition lacks traditional perspective and spatial depth; figures are layered and overlap, creating a sense of visual congestion. A deliberate crudeness characterizes the drawing style – forms are simplified to essential outlines, with minimal shading or detail. Lines are thick and often uneven, suggesting an impulsive, almost gestural application.
Several humanoid figures dominate the scene. They are depicted in various poses: some appear to be walking, others standing still, while a few seem to be interacting with one another. Their faces are rudimentary, marked by large, circular eyes and minimal indication of mouths or noses. This lack of facial detail contributes to an unsettling ambiguity; it is difficult to discern emotion or intent from their expressions. The figures’ proportions are distorted – limbs are elongated, bodies are squat, and heads appear disproportionately sized relative to the rest of the anatomy.
A cluster of smaller, more abstract forms occupies a central area within the composition. These shapes resemble stylized human figures or perhaps symbolic representations of something unidentifiable. They contribute to the overall sense of chaos and visual complexity.
The arrangement of these elements suggests a narrative, though its precise meaning remains elusive. The overlapping figures could represent a crowd, a gathering, or even a dreamlike procession. The lack of context and the simplified forms prevent any straightforward interpretation; instead, the work evokes a feeling of unease and disorientation.
Subtly, there’s an implication of societal commentary. The repetitive nature of the figures, their anonymity, and the chaotic arrangement might be interpreted as a critique of mass culture or the dehumanizing effects of modern life. Alternatively, the drawing could be understood as an exploration of primal instincts and archetypal human forms, stripped bare of cultural conditioning.
The signature in the lower right corner provides a personal mark within this otherwise impersonal scene, anchoring the work to a specific creator while simultaneously reinforcing its raw, unrefined aesthetic.