Jean Dubuffet N A 39822 1146 часть 3 -- European art Европейская живопись

The artwork presents a dense and layered composition dominated by earthy tones – ochre, burnt sienna, and deep reds – interspersed with flashes of pink, yellow, and blue. The surface appears heavily textured, suggesting the application of paint in thick impasto layers, possibly combined with other materials. A central figure emerges from this chaotic field, though its form is far from clearly defined. It seems to be a human head or face, suggested by rudimentary features: two dark circles indicating eyes, and an indistinct mouth rendered as a broad, downward curve.
The artist did not strive for realistic representation; instead, the focus lies on expressive mark-making and the creation of a visual rhythm through repetition and variation. Numerous curvilinear lines crisscross the surface, some appearing almost calligraphic, while others are more gestural and spontaneous. These lines seem to both delineate forms and contribute to an overall sense of energetic movement across the canvas.
Scattered throughout the composition are stylized depictions of animalistic figures – simplified representations with prominent heads and rudimentary bodies. They appear integrated into the background, blurring the distinction between foreground and background elements. The placement of these creatures suggests a narrative quality, though any concrete story remains elusive.
The subtexts within this work seem to revolve around themes of primal expression and the exploration of unconscious imagery. There is an intentional rejection of conventional artistic standards – a deliberate embrace of roughness and ambiguity. The crude rendering of figures and the seemingly random arrangement of marks evoke a sense of immediacy and raw emotion, as if the artist were attempting to bypass intellectual control and access a more instinctive mode of creation.
The work’s visual language suggests an interest in non-Western art forms or perhaps folk traditions – a desire to tap into sources of imagery that exist outside the established canon of Western art history. The overall effect is one of playful disorder, inviting viewers to engage with the artwork not through rational analysis but through a more intuitive and sensory experience.