Edward Alcock – Portia and Shylock, from Shakespeare’s The Merchant of Venice, IV, i
c.1778. 66×51
Location: Yale Center for British Art, Paul Mellon Collection, New Haven.
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
To his right stands a younger woman, her posture rigid and formal. Her face is pale, illuminated by a strong light source that highlights her features. She appears to be looking away from the man, her expression unreadable – perhaps conveying detachment or disdain. The elaborate hairstyle and clothing suggest a position of privilege and societal standing. A high collar frames her neck, emphasizing an air of formality and distance.
The lighting is dramatic, creating a chiaroscuro effect that intensifies the emotional weight of the scene. The darkness enveloping much of the background serves to isolate the two figures, drawing attention to their interaction – or lack thereof. The ornate wallpaper behind them hints at wealth and status, yet it also feels oppressive, contributing to an atmosphere of tension and confinement.
Subtleties within the painting suggest a power dynamic at play. The man’s close scrutiny of the document implies a vulnerability, a dependence on its contents. Conversely, the womans averted gaze and formal attire convey a sense of authority or perhaps even superiority. The scene evokes an atmosphere of legal proceedings, where one party is subjected to examination by another – a scenario consistent with a moment of intense negotiation or judgment. There’s a palpable sense of unease; the silence between them speaks volumes about the complexities of their relationship and the stakes involved in the situation unfolding before us.