Die Heimkehr des Tobias; The Return of Tobias 1934 Max Liebermann (1847-1935)

The picture has something of this: people, cave, god, saint, Renaissance, veil, baby, allegory, man, Mary, mammal, woman, kneeling.
Perhaps it’s a painting of a man with a cane standing in front of a fire place with a woman standing next to him and a man holding a cane.