2nd interior 1925-32 Kliun

The composition presents a fragmented view of an interior space, constructed from geometric forms and a restricted palette dominated by greens, browns, yellows, and touches of red. The scene is not rendered with traditional perspective or depth; instead, it appears as a collection of planes intersecting at oblique angles.
A central table surface serves as the primary anchor for several objects. A large, circular form, possibly a plate or lid, sits atop this plane, partially obscuring what lies beneath. To its left, a smaller, rounded shape suggests another object, perhaps a bowl or fruit. Rising vertically from the tabletop is an elongated cylindrical element – a funnel, seemingly detached and isolated within the arrangement.
The background is equally fractured. A wall is divided into rectangular blocks of varying hues, creating a sense of spatial ambiguity. To the left, a framed picture hangs on the wall, its contents indiscernible but contributing to the overall feeling of domesticity. A dark, vertical shape on the right edge could be interpreted as part of a doorframe or another architectural element.
The color scheme contributes significantly to the paintings mood. The muted greens and browns evoke a sense of stillness and introspection, while the occasional flashes of yellow and red introduce subtle points of visual interest. The limited tonal range reinforces the feeling of detachment and abstraction.
Subtly, the work suggests themes of memory and reconstruction. The fragmented nature of the scene implies that it is not a direct representation of reality but rather a recollection or an attempt to piece together a familiar environment. The isolated funnel might symbolize a process of filtering or distillation – a symbolic reduction of experience to its essential components. The arrangement, while seemingly random, possesses a deliberate quality, hinting at an underlying order and structure that the artist sought to reveal through this deconstruction of conventional representation.