Arnold von Brounckhorst – Portrait of William Cecil, 1st Baron Burghley (1520-1598) Lord High Treasurer
oil on panel
Location: National Portrait Gallery, London.
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Here we see a man of considerable age; his face bears the marks of time, etched with lines suggesting experience and perhaps hardship. A full beard, predominantly white with traces of darker hair at its base, frames his face, contributing to a sense of gravitas. His attire is formal: a dark, richly embroidered coat, buttoned high, suggests wealth and position. The black fabric absorbs light, creating a stark contrast against the lighter tones of his skin and the background elements.
In his left hand, he holds a thin, pale rod – likely a ceremonial staff – which serves as a visual anchor for the composition and reinforces his role as an official or leader. His right hand rests upon a decorative sword hilt, subtly indicating military authority or protection.
Behind him, a stone architectural element is visible on the left side of the painting, suggesting solidity and permanence. To the right, heavy drapery hangs, its deep green hue providing a contrasting color field that draws attention to the subject’s face. A scrolled banner appears above his head, bearing Latin text – a common device in portraiture to convey virtues or mottos associated with the sitter. The inscription likely alludes to his accomplishments and moral character.
The lighting is carefully controlled; it illuminates the mans face and hands while leaving much of the background in shadow. This technique directs the viewer’s attention to the subject’s features, emphasizing his importance.
Subtly, the painting conveys a sense of power and responsibility. The somber colors, formal attire, and direct gaze all contribute to an image of a man who is serious, dedicated, and accustomed to wielding influence. The inclusion of symbols like the staff and sword further reinforces this impression. The overall effect is one of dignified authority and intellectual strength – a portrait intended not only to record likeness but also to project a carefully constructed persona.